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“And just worships you. Is your lawn mowed?”,

“As the door creaketh on his hinges, so the slugger turneth on his bed.” Liza Wopp’s voice was compelling in its significance. Through the rose-lit dreams of Moses, the sound and the awful words were like the threatenings of an approaching storm.,

“Kettle’s a-bilin’, Glory Girl, an’ Par an’ Mose’d like a cup of tea; but ’fore you leave the organ, play ‘Greenland Icy Mountains,’ it’s been runnin’ in my head orl day.”,

Visitors! He saw them through the window. Every step was growing more painful,—he must get to his room. The space from the woodshed roof to the tower room, before so easily surmounted by a swinging jump, looked now as high and far as Mount Whitney. Back to the window he turned. The firelight was dancing on the walls. Sister Edith was talking gayly to neighbors who were standing near the door, and May Nell was snuggled beside his mother on the couch, the great yellow cat, or a part of him, sprawling on her small lap.

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“What does that mean?” queried Moses.,

Now he flew off down the county road at a speed that made passers turn; but he saw no one. He neither slackened nor looked back till he found himself at the river where the little island rose, flower-crowned. The poppies were fewer; and where a month before the flame-flower had triumphed, to-day wild roses perfumed the air.,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,

“You know she never does nothin’ to us really, Moses, no matter how she jaws. Come on, you clipped yer pony so lovely an’ evenlike. The horse-clippers is bangin’ on the wall behind you.”